THE MöBIUS TRIP is selected to be part of The Gene Siskel Film Center Festival Showcase, celebrating the programming and critical partnerships of Chicago Film Festivals.  “We believe your film is an outstanding example of the type of innovative and captivating work that CUFF is dedicated to showcasing.” - Bryan Wendorf (Founder of Chicago Underground Film Festival). Deeply honoured to be part of this.  🤍 CUFF’s screening is scheduled for Saturday, June 29.

Jan/Feb 2024 - When I was Shadow Director on Bafta winner John Maclean’s second feature film, TORNADO, starring Tim Roth, Jack Lowden, Koki, Takehiro, Jack Morris, Jamie Michie, Ian Hanmore, Raphael Thiery, Sammy Hayman, Bryan Michael Mills, Nathan Malone, Dennis Okwera, and Nina Barrett. Cinematography by Oscar-nominated Robbie Ryan. Thanks so much, @johnbetamac, for your kindness and for giving me the amazing and rare opportunity to work with and learn from you. I’ve been so lucky to be part of it all and witness the making of a beautiful film 🤍 thank you also to ScreenNet, @screenscots and @leonoradarby for the support in making it all happen. More behind-the-scenes pics here x 🙏 x 

Thank you, Final Girls Berlin, for the Best Midnight Movie award!

I am also really happy to announce that THE MöBIUS TRIP has been selected by EUNIC London (in collaboration with the EU Delegation to the UK and the Glasgow Film Festival) to screen at the 6th edition of In Short, Europe: Best of Best, followed by a post-screening Q&A.

“A collection of inspiring, award-winning short films from 28 European countries.”

Screening in the PSYCHODRAMA strand:

21 April 2024 – Glasgow Film Theatre 
28 April 2024 – London, Cine Lumiere, French Institute 

“This collection of narrative shorts explores the intersection between drama and psychology with fresh visual language and pertinent ideas. Trauma, one of the key driving forces of cinema since its inception, continues to pervade our personal and cultural landscapes. Whether thrust upon us unwillingly or confronted with sincerity. However, its meaning becomes more indecipherable and flattened the more it’s used. In order for us to define this important idea for our modern age we need again to turn to cinema to confront our assumptions about trauma and how it lives in our imaginations.”